Harold bloom on the literary canon

She points out, and rightly so, that we do not begin to see major women writers until the nineteenth century with a few exceptions, of course. Harold Bloom, that famous champion of the closed canon, once opinedI began as a scholar of the romantic poets. A fourth-rate playwright like Aphra Behn is being taught instead of Shakespeare in many curriculums across the country.

Harold bloom on the literary canon

Harold Bloom and T. S Eliot Harold Bloom and T. S Eliot 10 October Literature Support your arguments with apposite literary examples.

Nowadays, writers are judged according to their originality and uniqueness. Nevertheless, they declare that the poet must not imitate blindly previous poets. Henceforth, this essay will aim to portray further the ideas put forth my Bloom and T.

Eliot, showing comparisons and contrasts in their arguments. Both critics, in their essays, try to define the great poet. We will write a custom essay sample on Harold Bloom and T.

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Furthermore, he exhorts the idea that the strong poet must not repeat his predecessors but look to them to be original.

A poem must purge itself from any influence but through this purgation should display the particular influence at work. This implies that the precursor poem was accurate to a certain extent, but it should have swerved further, precisely in the direction of the present poem.

In his poem, he evokes what his predecessors failed to display through the epic style; he uses epic conventions not to present the reader with a grandeurs story but to strengthen his satirical tone when portraying trivial things, such as the cutting of a lock, as being of great importance to his contemporary society.

How to Read and Why: Harold Bloom: pfmlures.com: Books

This can be seen in the way battle scenes and armours are bestowed throughout. In The Iliad, Homer describes in considerable detail the armour of the great Achilles, as well as the battlefield trappings of other heroes.

Likewise, in Canto three, the rendering of the card game as a battle constitutes an amusing narrative: Four Knaves in garbs succinct, a trusty band, Caps on their heads, and halberts in their hand; And particolored troops, a shining train, Draw forth to combat on the velvet pain.

By parodying the battle scenes of the great epic poems, Pope is suggesting that the energy and passion once exhausted on brave and serious matters is now expended on such insignificant trials as games and gambling. The structure of the three attempts, by which the lock is cut, is a convention of heroic challenges, particularly in the romance genre.

The sylphs serve in place of the gods who watch over the heroes of epics and guide their fortune. Moreover, like supernatural beings in classical epics, there is a journey by the gnome to the Underworld.

First, the poet must have a historical sense, meaning that one has to know about his predecessors and view them and himself as a writer in simultaneous order. However, Eliot goes one step further than Bloom when it comes to his ideas about the poet himself.

Thereby, the poet is the platinum and it may function on the experience of the man himself. However, the more perfect the artist is, the more separate the man who suffers and the man who creates are.

Hence, the elements which are present in the transformation of catalyst are the feelings and emotions of the writer.

Harold bloom on the literary canon

Significantly, Shelley uses the name Adonais to refer to John Keats. Adonis was known, in Greek Mythology, as the handsome youth whom the goddess Venus loved and who was killed tragically by boars. Thus, Shelley uses Greek Mythology to portray Keats as sharing a spiritual identity with a mortal god and to compare the critics, who he claimed were the cause of his death, to the wild boars.

In her, Shelley combines both the Venus of the Adonis myth and the muse of astronomy. Moreover, the reference to such a figure abides by the conventions of the pastoral elegy. There seems to be a range of traditions all leading up to the present moment.

Moreover, both Eliot and Bloom create a clear distinction between the great poet and the weak poet. In both essays, the weak poet is presented as the individual who ignores the tradition or predecessors of literature. However, they assert that the poet should not simply imitate dead writers.

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Accordingly, one may suggest that Eliot proposes that a weak writer is the individual who writes in isolation from other poets and is somewhat original and different. On the other hand, Bloom suggests that the weak writer is the person who imitates his precursors without any new and personal ideas.Ulysses chronicles the passage of Leopold Bloom through Dublin during an ordinary day, June 16, The title parallels and alludes to Odysseus (Latinised into Ulysses), the hero of Homer's Odyss.

Harold Bloom (born July 11, ) is an American literary critic and academic. He is the Sterling Professor of Humanities at Yale University. [1] Since the publication of his first book in , Bloom has written more than 20 books of literary criticism, several books discussing religion, and one novel. Mar 16,  · Harold Bloom is a key Literary Theorist for many reasons, but I think the most interesting of which are his books the Anxiety of Influence and the Map of Misreading, where he talks about how creati.

Harold Bloom is the author of many books, including The Western Canon: The Books and School of the Ages, Agon: Towards a Theory of Revisionism, The Anxiety of Influence: A Theory of Poetry, Wallace Stevens: The Poems of Our Climate, Shakespeare: The Invention of the Human, How to Read and Why, Stories and Poems for Extremely Intelligent.

Harold Bloom, Sterling Professor of Humanities at Yale University, is highly acclaimed for his work in literary criticism. He is the author of, among many other books, Omens of Millennium: The Gnosis of Angels, Dreams, and Resurrection; The Western Canon: The Books and School of the Ages; The American Religion; The Map of Misreading; and The Anxiety of Influence.

The Divine Harold Bloom (as he uses the term for Oscar Wilde) here defends the Western Canon, and while so doing became the recipient of much undeserved criticism, from the likes of so-called New Historicists, gender theorists, Marxist interpreters, and devotees of the School of pfmlures.com: Harold Bloom.

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